Michael LaRocco, Ph.D.
Dr. LaRocco’s academic research and his creative work as a filmmaker and media artist investigate the evolution of film and video technologies and their application in media practice. His recent publications include articles in Film History and Spectator, and his current book project traces the evolution of digital video camera technology across various communities of practice, from home video to Hollywood.
Prior to his work in academia, he taught media study and production extensively at community-based organizations, art centers, and schools in Chicago, and served for many years on education advisory boards for the Chicago International Film Festival and the City of Chicago Department of Cultural Affairs. He is an active member of the Society for Cinema and Media Studies and recently served on the screening committee for the Peabody Awards.
As a media producer, he trained at esteemed documentary production company Kartemquin Films and has since worked with many clients both behind the camera and in the editing room, including the Lollapalooza Music Festival, filmmaker Ondi Timoner/Interloper Films, Asylum Entertainment, Oxford University, the Chicago Tribune, and the Bebe Miller Dance Company.
Academic areas of interest: Film and television history, theory, and aesthetics; Media technology; Production studies; Practice-based theory; Virtual/augmented reality; Video games; Film and media education; Film, video, and music production; Heavy metal music and culture.