Gargotto is also an adjunct professor whose literature courses at Bellarmine spotlight the sharing of life stories, particularly those focused on the complexity of trauma.
“In my writing courses, we talk a lot about voice and visibility,” she says. “While we have our particular stories, all these have some kind of connection—the feelings of being disenfranchised or being voiceless or undervalued. Those are things that we can collectively embrace and grow from.” Gargotto has helped others learn to tell their stories throughout her career. But before she could do that, she had to find her own voice.‘Woman of the Wild’
Gargotto, a Kentucky native, joined the Air Force in 2000, just before she turned 20. “I had been taking some community college courses, and I really liked college, but I couldn't afford it,” she says. “I had a friend who had gone into the Air Force, and I thought, ‘Well, if she can go into the military, I can go.’ “It was the idea of getting to travel, having health care, having a job. I was an X-ray tech, so I got a really good job, a skill. And then it was a place to live, and education benefits, and meeting new people. I thought, ‘If I don't do something now, I could be stuck here just doing the same thing for the rest of my life.’ And I didn't want that.” She trained at the Lackland Air Force Base in San Antonio, Texas, and was then stationed at Elmendorf Air Force Base in Anchorage, Alaska, for three years. Alaska was “mystical,” she says, but it was also isolating. “I had my first daughter there, and I was alone,” she says. “I had a lot of support from my military sisters, but it wasn't the same as having your mom and your aunts around you.” That daughter, Kyleigh, is now a sophomore Environmental Science major at Bellarmine; younger daughter Kady is a student at Ballard High School. At nine months pregnant with her first child, Gargotto encountered a moose and her calf on the Alaskan base—an experience she captured later in a poem called “Woman of the Wild”: I was walking into the hospitalaround a dark corner. It was December.It was always dark. I had no ideathey were there, a mother and calf—bigger than horses,things of mountain myths.I was a solid mark for her.I remember the briefing they gave us,“mothers will kill without hesitation.”It was a narrow space between me and the baby.The mother a few feet away.She looked up, all eyes and head—and charged me. No hesitation. All fight.I screamed,and went to my knees, cradling my baby.We both had the same fear. She stopped, only a foot or two away.I could feel her grassy breath on topof my head. I stayed with head down,knees to the concrete, and she and herbaby walked away—together. I kneeled on the concrete in the blacknesson my skinned knees murmuringto my baby that I had saved our lives,that I loved her. I would always protect her.Even in Alaska, even from the wild. But I am still not surewhich one of uswas the wild beast. After leaving active duty in 2004 and moving back to Kentucky, Gargotto used her military benefits to earn a bachelor’s degree in women’s and gender studies from the University of Louisville. She then earned a Master of Social Work and a Master of Fine Arts in Writing from Spalding University. She counseled military families at U of L’s Center for Promoting Resiliency & Recovery and mentored young women at the Home of the Innocents and Our Lady of Peace. In the intervening years, she wondered where all the other women veterans were. At Veterans Administration events, “I’d be the only woman in the room,” she says, “and then they always thought I was the spouse, not the veteran.”
So in 2014, she founded Athena’s Sisters, an organization that provides resources
and social interaction for active and former military women that has more than 200
members. She also created and edits WarrioHer and tHE ART of Sisterhood, publications
containing the poetry, essays and artwork of military women. Several art pieces made
by veteran women decorate her colorfully chaotic office, which is also stuffed with
books. One depicts a military boot filled with flowers, reflecting the signature table
decoration for Athena’s Sisters events. A Navy vet
crafted the organization’s logo in stained glass. “I’ve met a lot of amazing, talented
women over the years that, you know, nobody was paying any attention to them,” she
says. In recognition of her efforts, Gargotto was named the first-ever woman Veteran
of the Year in 2014 during the City of Louisville’s Week of Valor. It’s important
for women veterans to control their narratives, she says. And yet she never intended
for her first collection of poetry to be published.
‘Words are her method and means’
While going through a tough personal time, Gargotto wrote one poem a day for 30 days “to see if I was getting better,” she says. The poems were “uncensored, unedited—just bare bones. But I shared them with a friend of mine who is a writer, an editor and an illustrator. And she said, ‘Can I just play with these?’” That friend, Bree, founded and operates Green Panda Press, which publishes hand-made books by independent poets and artists. Gargotto’s poems and Bree’s collage-style illustrations became When the Poppy Sheds: Poems of Recovery, published in 2017. “Lindsay is a survivor,” Bree said in an email. “Words are her method and means. The proof is in the poetry.…She inspired me to cut and paste like we do memories. My collages support her columns of words that hold her head up to speak loud and clear: Love thyself.” Dreams have watermarks,traceable, detectable –each inexplicably marked.Every dreamhas lines and edges. I have one dream for most nights,and two dreams for lonely nights. I wait for the edgeless nights,where the lines cannot find me. Gargotto was happy with the book, but she didn’t promote it; the poems came from a place of vulnerability and she feared the judgment of readers. Then another friend submitted the book to the Appalachian Arts & Entertainment Awards—and Gargotto was named the 2022 Author of the Year.
A volume of poems related to her time in the service, An Unbridled Cadence: A Bluegrass WarrioHer, followed in 2019, and last year she published When the Ashes Bloom. In 2017, Gargotto met Dr. Rick Brown, a former U.S. Air Force staff sergeant who
was directing Bellarmine’s nascent veteran services initiative, and he recruited her
to teach part time. When the Office of Military and Veterans Services was created
in 2018, Gargotto became a part-time administrator, then full-time assistant director.
When Brown departed for another position, she was named director. In its short existence,
the OMVS has increased military-affiliated student enrollment by 85 percent, and retention
has been high. That’s partly due to the Valor Learning Community,
which Gargotto created with part of the federal grant. It’s the first military-affiliated
learning community for first-year and transfer students in Kentucky. 
The Valor
Learning Community includes the same components as the five other Bellarmine learning
communities, such as taking classes together, participating in programming that aligns
with classes, getting support and guidance from faculty, and gaining peer
mentorship.
One of those classes is an English course taught by Gargotto in which students examine
the writing of veterans from the first World War through contemporary times. “It's
not a political class,” she says. “We do not discuss war in any
way, shape or form. It's not about ‘Do we think war is right or wrong.’ We might discuss
what we think the author is saying about it, but we’re not discussing it. We’re critiquing
for the writing, like any literature class. “I try to make sure the class understands
that yes, we are using the identities of ‘veteran’ and ‘military’ in this course,
but you can apply it across any identity.” “Lindsay is always advocating for veteran
rights and pushes all of us to find and use our voices for what we believe in, even
if she doesn’t necessarily share our view,” says Ben Porter, who retired from the
Navy in 2018 after 21 years
of service and is majoring in Psychology and Sociology/Anthropology with a minor in
Art. He chose Bellarmine after his positive experience on campus as a Navy recruiter. “When
I first met Lindsay, I knew that I didn’t like the man that I was, and I didn’t know
who I wanted to become. I had a voice in the Navy with my leadership roles and experience,
but I had become institutionalized and carried a ton
of emotional trauma and baggage around with me everywhere I went,” he says. “I knew
that I had to dump that junk and start fresh as the person I wanted to become, and
Lindsay was always in my corner as I began to unpack everything.” Her ability to listen
is one of her greatest strengths, he says. “There have been situations over the years
when I needed somebody to just listen to what I was going through. When working with
vets, that is extremely important, and Lindsay gets
it. She gets us because she is one of us.” Porter will graduate from Bellarmine in
May. Last May, 40 military-affiliated students received Bellarmine degrees, the largest
number in university history. 
Making that journey with military students is extremely rewarding, Gargotto says.
“The military education benefit gets way under-utilized because it's not just about
sitting in a classroom. There are so many other things that have to be in
place to make us successful. Most of us have families, or we’re dealing with medical
or other issues or just working jobs. So it’s great to be able to create these policies
and work with faculty and staff to help them understand these
unique barriers.
“It’s important that our students have a presence and a space here, and a voice.
We haven't really had that before.” Will you love me still if I become youBelieving you could mold meinto something elseA possession I know this story You want that girl only if she was like thisand like this and like thisAnd such A heathen you tookout of Appalachia you saidCan’t take me to civilization, you saidfor a cigarette butt on the road Celebration is forbiddenIdle time is forbiddenLaw breaking is fine if you say it isYou have rules rules rulesfor everything.And you say you’re not indoctrinated You tell me storiesstories (the same stories)storiesThen you ask me a questionThen you interrupt and tell another storyHow you fixed this. fixed that fixed someone’s life You shhh me Order for me Tell me what not to order I find myself conformingTo you I have been trained this wayWay too longI bendI moldBecause of fearNot loveBeing with you feels like judgement day everydayNot love Family traditions and past do excuse youAnd such I make my story not you Poetry in order of appearance: “Illustrated Woman,” When the Ashes Bloom (2022); “Woman of the Wild,” An Unbridled Cadence: A Bluegrass WarrioHer (2019); “The Night’s Edge,” When the Poppy Sheds: Poems of Recovery (2017); “Suffocating Directions,” When the Ashes Bloom